![]() To kick off the physical texture portion of this project, I spread some light molding paste from top to bottom. I started with very different images for the photo transfers–hard-edged buildings and softer, rounded natural items.įor a substrate, Katie recommends using a canvas panel, which is easily found and fairly inexpensive. These photo transfers won’t work with laser prints. I printed them out on regular copy paper on an inkjet printer-inkjet is key for this project. Katie says the process is “a creative way to play with opacity and transparency in your artwork to create interest and visual texture.” I started with several images, some of buildings and some of nature, thinking I’d combine the two. However, this project will get you thinking about your images and how they’ll be layered, and I like that thoughtful component to it. But her techniques will work with any images, so you’re not limited to urban grunge. Katie loves urban landscapes and uses them often in her work. To create this piece, I first chose some images. Also, the way Katie layers her images, then enhances them with mixed media, totally takes things to another level. I’ve done plenty of gel medium transfers before, but never one with gesso, so that intrigued me. This technique is based on doing photo transfers two ways: one with gesso, and the other with heavy gel medium. I want to shout from the rooftops that this is so much fun, so creative, and so satisfying! ![]() I know I’ve said this before, but I have a much deeper appreciation of Katie’s brilliant artistry after trying her techniques. I didn’t even know photo transfers were part of her repertoire until she told me, and I thought her use of both visual and physical texture would be perfect for the Texture Adventure theme for this year’s Art Lessons. Katie Blaine is the artist responsible for this month’s lesson, and when I discovered her work I felt an immediate connection with it, and knew you would love it too. The techniques are nothing short of transformational-no pun intended. Case in point: the May 2017 Art Lesson, Layering with Photo Transfers. Not only are no two image transfers the same, but artists are always coming up with new ways to render transferred images and turn them into art. Creative possibilities are endless.Īlways use a transparent glossy gel, as matt gels are not transparent enough and give a frosted effect if applied in thick layers.An image transfer is an image transfer is an image transfer, right? Nope. Then, all you have to do is create! Add anything that inspires you to customize your work: sketches, drawings, paintings, etc. To reveal the print, moisten the paper with a sponge and peel it gently until it disappears completely. For best results, the gel must be completely dry. ![]() Tip : Always use a transparent glossy gel, as matt gels are not transparent enough and give a frosted effect if applied in thick layers. To avoid air bubbles when apply the paper, smooth it from the inside out. This should be taken into account if you wish to use them.Īpply a thick layer of transparent medium gel on the canvas and immediately stick your print onto the gel ink side down. Tip : Newspapers create a nice vintage effect, but they tend to yellow very quickly. All inks are different, so it’s always best to test them beforehand. However, photo paper prints cannot be transferred as they are too glossy. Many papers are transferable: magazines, newspapers, decorative papers, etc. ![]() Inkjet prints don’t work as well because the ink gets diluted. This technique works very well with photocopied black and white images, as well as black and white laser prints. It must be dry to the touch before you can begin transferring images.Ĭhoose your images. ![]() Without primer, the canvas will absorb the medium gel, which can alter the ink.Īfter applying the gesso, let the canvas dry. The gesso reduces surface porosity, which gives you better results. Before you begin, coat the canvas with gesso. ![]()
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